A superior sensitivity for sound quality

January 20th, 2010 by admin

In chord balancing, the fingers have to learn to play with at least two different levels of tone in the same hand , and often three or even four simultaneously. In the latter case there is the added strain of deciphering what is often a new language, learning the antique piano piece quickly and of being recorded at the first performance, usually with the composer present. There is also the need to keep a repertoire going. Slower learners sometimes have a superior sensitivity for sound quality, for example, while a quick reader may not be someone you would want to listen to.

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